As a new writer, I had no idea how to approach the novel revision process. I had only ever revised short stories and academic papers before. Revising a long-form piece was a much larger task that required more moving parts and careful observation.

I took to the Internet in search of revision advice, but to my surprise, there wasn’t much detailed information available for new authors to learn from. Through a few limited resources and a lot of effort, I managed to work out a fairly good procedure that I want to share with you today in the hopes of shedding some light on the revision process for new writers.

Editing a novel listening aloud has definite benefits. Many reputable sources online point out the advantages of listening to or reading your work out loud, including this one from Poynter.org and this one from the writing center of The University of North Carolina among many others. Read on to learn the top seven benefits of listening aloud. These advantages may just change the way you edit novels.

The opening chapters of your story are doubtless some of the most important you’ll write.

When crafted with care, a strong opening sequence effectively hooks readers into your story, encouraging them to keep turning pages to learn more about your characters, plot, and story world. A poor opening sequence, on the other hand, can lead readers to toss your book aside in boredom or frustration before your story ever gets off the ground. 

Knowing the vital importance of a strong opening sequence, I jumped at the opportunity to work with freelance editor Isobelle Lans when she offered me her ‘First Three Chapters’ service in exchange for an honest testimonial and review. 

In recent months, I’ve had the privilege of working with two freelance editors to prepare my upcoming book for writers, Build Your Best Writing Life, for publishing. 

First, I worked with Sara Letourneau of Heart of the Story Editorial to complete a line edit, which helped ensure I was using the best possible language to convey each point in my book. I then worked with Sarah Kolb-Williams of KolbWilliams.com on a copy edit to further polish my writing. (I’ll also be working with Sarah later this month on a final proofread of the book.)

Before these occasions, I hadn’t worked with a professional editor in any capacity. Because I knew so little about the process, I was nervous to dive in. Still, I braved the experience because I knew that working with professional editors was essential if I wanted to prepare the best possible book to share with the world.

In the end, I couldn’t have asked for two better first experiences, which were in large part due to choosing the best freelance editors for me and my manuscript — but that’s not what we’re going to discuss today. (If you’re looking for tips on choosing a great editor, make sure to check out Sara Letourneau’s recent guest post on this subject).

Rather, today I’m going to help you have a fantastic first time working with a freelance editor by breaking down everything you need to know before getting started. If you’re feeling nervous or confused about the process, this is the blog post for you.

Looking for freelance editors is easier than ever, thanks to social media and the Internet. But choosing the right one for your manuscript? That can be tougher than you’d think.

So much goes into the process of contacting editors and weighing your options regarding budget, timetable, and other factors. As both a writer and an editor, I understand how intimidating and complex this decision can be. It’s tempting to choose an editor who offers the most affordably package or is available to work on your manuscript right away. But what if her personality doesn’t mesh well with yours? Or if her emails give the impression that she’s willing to work with you but not that interested in your story?  

In other words, don’t just hire any editor. Hire the right editor, the one that’s the best fit for your project. Here are six factors that can help you make this important decision.

From the copy on your author website to the emails you send your readership and the marketing ads and campaigns you create — to thrive in your writing career, you must present your work to the world with professionalism.

One of my favorite tools for achieving professionalism is Grammarly. After crafting and revising content, Grammarly reveals key insights and inaccuracies that help me polish my work before I present it to the world. And making use of this AI-powered text editor is a joy thanks to its easy-to-use interface and various available formats, including:

• Online text editor (at Grammarly.com)

• Native apps for Mac & Windows

• Browser extensions for Chrome, Firefox, Safari, and Edge

• Keyboards for iOS and Android

• An add-in for Microsoft Office
  
  

This means you can use Grammarly on nearly any device and with nearly any piece of content you’d like to polish, from tweets and Facebook messages to blog posts, back cover blurbs, agent query letters, and beyond. 

A little beta reader feedback can go a long way toward improving the quality of your work. 

In last week’s article, I answered six common questions about working with beta readers, including what beta readers are, why their feedback is invaluable, and how you can find the beta readers who will provide the most constructive feedback on your work. Today, I’m following that introduction with a guide to creating the very best beta experience for both you and your readers.

Remember, beta readers are providing you with a free service, taking the time to read your manuscript and share feedback on how you can improve it before you publish. That’s a lot of work! It’s your job to make that work as enjoyable as possible for your beta readers. And when you do, you may just find that you set yourself up for a fantastic beta reader experience as well.

Nothing improves the quality of your writing like a little objective feedback.

Sure, a few well-honed self-editing skills can go a long way toward helping you craft incredible stories. But at the end of the day, you’re simply too close to your work to truly revise and refine it to be the best that it can be. This is where a second pair of eyes (or many seconds) can come in handy, specifically in the form of beta readers.

I recently worked with beta readers for the first time to seek feedback on my upcoming book Build Your Best Writing Life, and I couldn’t have asked for a better experience. I’m now excited to share what I learned from that experience in a new two-part series here on the blog, beginning with today’s post answering the most common questions about working with beta readers:

I often say the magic of writing happens in revision. 

When you revise, you transform a lumpy first draft into a powerful and cohesive story, cutting filler, strengthening the narrative, and shoring up your story’s foundations. As you edit, that same magic manifests in your prose, helping you transform weak and clumsy writing into an irresistible read.

In last week’s article, I shared an overview of how you can strengthen your prose at every step in the writing process, from drafting to revising and editing. Today, let’s dive into the nitty-gritty. As you work to tighten your prose during edits, here are eight things in your manuscript to cut or reconsider…

Most fiction writers come to the page with a passion for either language or storytelling.

My own strengths lie in the latter. I love mapping plots arcs, developing characters, and crafting fictional worlds. Yet for me, translating those story elements onto the page has always felt like pulling teeth. I simply don’t have a natural knack for prose, which is why I’ve spent the past several years working hard to improve the quality of my writing.

If you’d like to do the same, today’s article is for you. In this mega-guide, I’m sharing each specific element of prose you should consider at every step in the writing process, breaking down the overwhelm of learning to write wonderfully readable prose so you can work to level up your writing skills with confidence. Shall we begin?

Editing a short story or novel is its own craft, using a separate skill set from writing. It’s a different approach and needs a different mindset. This isn’t to say that editing can’t be creative; it’s creating solutions to problems. Through editing, you’ll identify problems in your story and figure out the best solutions.

As you make the mental shift from writing to editing, you have to be able to look at your own work with a level of objectiveness in order to make your story the best it can be. In this post, I’d like to offer suggestions to help you gain perspective on your manuscript.

Have you ever read a novel that was far too indulgent for its own good?

Perhaps the plot dragged on and on or the prose meandered or the author spent a highly unnecessary amount of time on world-building or the color of their characters' hair. Maybe you weren't exactly sure where the author went wrong, but you know the book could have been at least fifty pages shorter. 

A touch of fluff bears little consequence, of course, but too much filler can easily weigh a story down. Knowing how onerous such indulgent stories can be, it's time we took a look at our own manuscripts and the fluff that may be lurking within. How can you identify and cut your story's filler? Let's discuss today, writers!